Escarabajo De Oro Analysis Essay

CIPHER MACHINES AND CRYPTOLOGY
The Gold-Bug


About the Gold-Bug

In 1840, Edgar Allan Poe wrote an article in the Alexander's Weekly Messenger, a Philadelphia newspaper, where he challenged the readers to submit their own substitution ciphers which he would decrypt. Initially, he received cryptograms from around Philadelphia, but soon after, they came in from all over the United States. He published many of the cryptograms and their solutions in fifteen numbers of the Alexander's Weekly Messenger.

The next year, Poe published his essay called "A Few Words on Secret Writing" in Graham's Magazine, in which he commented on the response to his cipher challenge (see download below). The essay also gave birth to the famous quote that "human ingenuity cannot concoct a cipher which human ingenuity cannot resolve".

In the 19th century, most people considered secret writing and cryptography as a mysterious esoteric art, and Poe had sparked a great interest in cryptography with the general public. Thanks to Poe's publications, cryptogram puzzles became popular in newspapers and magazines. Inspired by the success of the cryptograms and the interest in his essay, he decided to write a short story that involved cryptography.

After writing The Gold-Bug, he submitted the story to a writing contest, winning the grand prize and $100. The story was published on June 21, 1843, in Philadelphia's Dollar Newspaper. It is regarded as the first important publication in popular non-technical literature that incorporated cryptography in its story line. The Gold-Bug contains a detailed description of how to solve a cryptogram using letter frequency analysis. The story was an instant success and helped popularize cryptography in the 19th century.

Edgar Allan Poe's The Gold-Bug is as iconic to cryptography in literature as David Kahn’s Codebreakers is to historical publications on the subject. It became one of his most read and best known stories. Many readers have set their first steps in cryptology after reading Poe’s story - some even became important codebreakers - and more than a few writers were inspired by Poe, to write their own story with secret writing and encrypted messages in it.

The Story

The main character in the story is William Legrand, a man who lives at Sullivan's Island, near Charleston, South Carolina, to escape from his misfortunes. Legrand discovers a brilliant gold-colored bug, but lends it out to someone else. When his friend, the narrator of the story, visits Legrand, he is told about the rare bug with a death's-head on its back, and Legrand draws him a picture of the bug on a piece of paper. A short while later, Legrand asks his friend to come visit him immediately. Upon the friend's arrival, the strangely behaving Legrand asks his friend to follow him on an expedition into the woods near some rocks, to search for a treasure. Afraid that Legrand has lost his mind, the friend decides to accompany him out of concern for Legrand's health. As it turns out, Legrand accidentally had discovered a secret message in invisible writing on the paper he used to draw the bug. Legrand later explains his friend how he found the message and how he was able to decrypt the message that started his quest for a hidden treasure.

The cryptogram, as discovered by Legrand:

A printable version is available here.

The Gold-Bug is not only an exciting story about the discovery of an old treasure, but also a great introduction to cryptography and codebreaking. It tickles the reader's curiosity and Poe gives a detailed description of how to decipher the cryptogram. While doing so, he also provides the solution. However, deciphering the message yourself is even more exciting than reading how Legrand did it in the story. Can I challenge you, just as Poe did, to decrypt Legrand’s message, composed more than 160 years ago?

Decrypting the Message

Rather than just reading Poe’s story, I will show you the technique and give you the chance to do it all by yourself. It might be usefull to read The Gold-Bug first, as the story might provide information that will help to solve the cryptogram, but read only to where the cryptgram appears. Don't cheat by reading or peeking any further! Don't search the Internet for Poe or The Gold-Bug, as this will also spoil the fun.

The message is encrypted by mono-alphabetic substitution, a cipher where the letters of the alphabet are replaced by other letters or symbols. We can calculate all possible combinations for 26 letter of the alphabet, replaced by 26 symbols: the first letter is substituted by one of 26 symbols, the second by one of the 25 remaining symbols, and so on (26 x 25 x 24…x 3 x 2 x 1). In total, this gives 403,291,461,126,605,635,584,000,000 different ways to allocate 26 symbols to 26 letters. How on earth could we possibly decipher such a cryptogram? For centuries, substitution ciphers were regarded as unbreakable...but it is easier than it looks.

Although there are trillions of ways to allocate a set of symbols to letters, there are only a few ways to combine vowels and consonants in a natural language. Strict rules determine which letter combinations are possible and which are forbidden. The syntax prescribes in what order words should be written and which conjugations should be used. When we substitute letters with symbols, those symbols still follow all these rules and thus create patterns that we can detect. Just as certain letter combinations are impossible (ZLG, XOJ,...), so will certain symbols avoid one another. Just as it is evident that the same vowels will always fit within a given set of consonants (THR?ST, G??D...) so will attract certain symbols each other. But where do we start?

The mystery weapon to solve our message is letter frequency analysis, the basis of all codebreaking. Each language has its own typical distribution of letters in a text. In English, the letter e is by far the dominant letter, with an average of 12.7 percent. If we locate some of the most frequent vowels or consonants in the ciphertext, or find recurring symbol combinations, then the rules of the language will give us strong leads to the words they are used in or the letters they represent. Below, you'll find the letters of the alphabet, ordered from most frequent at the left to least frequent at the right (Poe used an older and slightly different frequency table).

E T A O I N S R H L D C U M F P G W Y B V K X J Q Z

For Legrand’s message, start by taking a sheet with squares and write down the secret message with a pen. Leave some blank rows between each row of the message, to write your solution underneath the symbols with a pencil (easily corrected with a gum). Count how many times each of the symbols appears in the cryptogram and write down the results in a table, ordered from most to least frequent. You will see that one of the symbols clearly stands out. This is the first major clue. That most frequent symbol represents without doubt the most frequent letter of the alphabet. Write your first results underneath the according symbols on your message sheet.

Next, you try to spot recurring combinations of symbols. The most commonly used words in English are, in order of frequency: THE, OF, AND, TO and IN. Thus, you have to search for identical combinations of symbols that contain the most frequent letter you already found. You should spot each THE quite easily. If so, you have discovered the solution for two more letters that are used frequently. Make yourself a second table with all the symbols and their corresponding letters you already found.

By now, you should be able to find more and more letters by completing fragments. If, for instance, you find a fragment T?EE, it is not hard to imagine what should follow the letter T. Vowels twins (AA, EE, OO…) are common but not that many different words contain such pairs. Try to find those words. If you can’t see it immediately, try all letters of the alphabet until you get something readable. Each new letter will help you to reconstruct more and more fragments. Be patient. It could take some time before a word appears in front of you, but once you have four or five letters, you’re in a straight line to the finish.

Good luck...and make sure you don't get bitten by the bug!

Downloads

External Links

Note: in the original edition, one symbol "(" was not printed near the end of the message, right after ‡9;48; although Legrand describes just that missing symbol to assist in finding a word. Since the story refers to that symbol, it is unlikely that it was omitted on purpose and probably got lost during the publishing.


© Copyright 2004 - 2016 Dirk Rijmenants

This article is about the short story by Edgar Allan Poe. For the short story by Orson Scott Card, see The Gold Bug (short story). For the novel by Richard Powers, see The Gold Bug Variations.

"The Gold-Bug"
AuthorEdgar Allan Poe
CountryUnited States
LanguageEnglish
Genre(s)Short story
Published inPhiladelphia Dollar Newspaper
Media typePrint (Periodical)
Publication dateJune 21, 1843

"The Gold-Bug" is a short story by Edgar Allan Poe published in 1843. The plot follows William Legrand who was bitten by a gold-colored bug. His servant Jupiter fears that Legrand is going insane and goes to Legrand's friend, an unnamed narrator, who agrees to visit his old friend. Legrand pulls the other two into an adventure after deciphering a secret message that will lead to a buried treasure.

The story, set on Sullivan's Island, South Carolina, is often compared with Poe's "tales of ratiocination" as an early form of detective fiction. Poe became aware of the public's interest in secret writing in 1840 and asked readers to challenge his skills as a code-breaker. He took advantage of the popularity of cryptography as he was writing "The Gold-Bug", and the success of the story centers on one such cryptogram. Modern critics have judged the characterization of Legrand's servant Jupiter as racist, especially because of his comical dialect speech.

Poe submitted "The Gold-Bug" as an entry to a writing contest sponsored by the Philadelphia Dollar Newspaper. His story won the grand prize and was published in three installments, beginning in June 1843. The prize also included $100, probably the largest single sum that Poe received for any of his works. "The Gold-Bug" was an instant success and was the most popular and most widely read of Poe's works during his lifetime. It also helped popularize cryptograms and secret writing.

Plot summary[edit]

William Legrand has relocated from New Orleans to Sullivan's Island in South Carolina after losing his family fortune, and has brought his African-American servant Jupiter with him. The story's narrator, a friend of Legrand, visits him one evening to see an unusual scarab-like bug he has found. The bug's weight and lustrous appearance convince Jupiter that it is made of pure gold. Legrand has lent it to an officer stationed at a nearby fort, but he draws a sketch of it for the narrator, with markings on the carapace that resemble a skull. As they discuss the bug, Legrand becomes particularly focused on the sketch and carefully locks it in his desk for safekeeping. Confused, the narrator takes his leave for the night.

One month later, Jupiter visits the narrator on behalf of his master and asks him to come immediately, fearing that Legrand has been bitten by the bug and gone insane. Once they arrive on the island, Legrand insists that the bug will be the key to restoring his lost fortune. He leads them on an expedition to a particular tree and has Jupiter climb it until he finds a skull nailed at the end of one branch. At Legrand's direction, Jupiter drops the bug through one eye socket and Legrand paces out to a spot where the group begins to dig. Finding nothing there, Legrand has Jupiter climb the tree again and drop the bug through the skull's other eye; they choose a different spot to dig, this time finding two skeletons and a chest filled with gold coins and jewelry. They estimate the total value at $1.5 million, but even that figure proves to be below the actual worth when they eventually sell the items.

Legrand explains that on the day he found the bug on the mainland coastline, Jupiter had picked up a scrap piece of parchment to wrap it up. Legrand kept the scrap and used it to sketch the bug for the narrator; in so doing, though, he noticed traces of invisible ink, revealed by the heat of the fire burning on the hearth. The parchment proved to contain a cryptogram, which Legrand deciphered as a set of directions for finding a treasure buried by the infamous pirate Captain Kidd. The final step involved dropping a slug or weight through the left eye of the skull in the tree; their first dig failed because Jupiter mistakenly dropped it through the right eye instead. Legrand muses that the skeletons may be the remains of two members of Kidd's crew, who buried the chest and were then killed to silence them.

The cryptogram[edit]

The story involves cryptography with a detailed description of a method for solving a simple substitution cipher using letter frequencies. The encoded message is:

53‡‡†305))6*;4826)4‡.)4‡);806*;48†8 ¶60))85;;]8*;:‡*8†83(88)5*†;46(;88*96 *?;8)*‡(;485);5*†2:*‡(;4956*2(5*—4)8 ¶8*;4069285);)6†8)4‡‡;1(‡9;48081;8:8‡ 1;48†85;4)485†528806*81(‡9;48;(88;4 (‡?34;48)4‡;161;:188;‡?;

The decoded message is:

53‡‡†305))6*;4826)4‡.)4‡);806*;48†8 agoodglassinthebishopshostelinthede ¶60))85;;]8*;:‡*8†83(88)5*†;46(;88*96 vilsseattwentyonedegreesandthirteenmi *?;8)*‡(;485);5*†2:*‡(;4956*2(5*—4)8 nutesnortheastandbynorthmainbranchse ¶8*;4069285);)6†8)4‡‡;1(‡9;48081;8:8‡ venthlimbeastsideshootfromthelefteyeo 1;48†85;4)485†528806*81(‡9;48;(88;4 fthedeathsheadabeelinefromthetreeth (‡?34;48)4‡;161;:188;‡?; roughtheshotfiftyfeetout

The decoded message with spaces, punctuation, and capitalization is:

A good glass in the bishop's hostel in the devil's seat
twenty-one degrees and thirteen minutes northeast and by north
main branch seventh limb east side
shoot from the left eye of the death's-head
a bee line from the tree through the shot fifty feet out.

Legrand determined that the "bishop's hostel" referred to the site of an ancient manor house, where he found a narrow ledge that roughly resembled a chair (the "devil's seat"). Using a telescope and sighting at the given bearing, he spotted something white among the branches of a large tree; this proved to be the skull through which a weight had to be dropped from the left eye in order to find the treasure.

Analysis[edit]

"The Gold-Bug" includes a cipher that uses a simple substitution cipher. Though he did not invent "secret writing" or cryptography (he was probably inspired by an interest in Daniel Defoe's Robinson Crusoe[1]), Poe certainly popularized it during his time. To most people in the 19th century, cryptography was mysterious and those able to break the codes were considered gifted with nearly supernatural ability.[2] Poe had drawn attention to it as a novelty over four months in the Philadelphia publication Alexander's Weekly Messenger in 1840. He had asked readers to submit their own substitution ciphers, boasting he could solve all of them with little effort.[3] The challenge brought about, as Poe wrote, "a very lively interest among the numerous readers of the journal. Letters poured in upon the editor from all parts of the country."[4] In July 1841, Poe published "A Few Words on Secret Writing"[5] and, realizing the interest in the topic, wrote "The Gold-Bug" as one of the few pieces of literature to incorporate ciphers as part of the story.[6] Poe's character Legrand's explanation of his ability to solve the cipher is very like Poe's explanation in "A Few Words on Secret Writing".[7]

The actual "gold-bug" in the story is not a real insect. Instead, Poe combined characteristics of two insects found in the area where the story takes place. The Callichroma splendidum, though not technically a scarab but a species of longhorn beetle (Cerambycidae), has a gold head and slightly gold-tinted body. The black spots noted on the back of the fictional bug can be found on the Alaus oculatus, a click beetle also native to Sullivan's Island.[8]

Poe's depiction of the African servant Jupiter is often considered stereotypical and racist from a modern perspective. Jupiter is depicted as superstitious and so lacking in intelligence that he cannot tell his left from his right.[9] Poe probably included the character after being inspired by a similar character in Sheppard Lee (1836) by Robert Montgomery Bird, which he had reviewed.[10] Black characters in fiction during this time period were not unusual, but Poe's choice to give him a speaking role was. Critics and scholars, however, question if Jupiter's accent was authentic or merely comic relief, suggesting it was not similar to accents used by blacks in Charleston but possibly inspired by Gullah.[11]

Though the story is often included amongst the short list of detective stories by Poe, "The Gold-Bug" is not technically detective fiction because Legrand withholds the evidence until after the solution is given.[12] Nevertheless, the Legrand character is often compared to Poe's fictional detective C. Auguste Dupin[13] due to his use of "ratiocination".[14][15][16] "Ratiocination", a term Poe used to describe Dupin's method, is the process by which Dupin detects what others have not seen or what others have deemed unimportant.[17]

Publication history and reception[edit]

Poe originally sold "The Gold-Bug" to George Rex Graham for Graham's Magazine for $52 but asked for it back when he heard about a writing contest sponsored by Philadelphia's Dollar Newspaper.[18] Incidentally, Poe did not return the money to Graham and instead offered to make it up to him with reviews he would write.[19] Poe won the grand prize; in addition to winning $100, the story was published in two installments on June 21 and June 28, 1843, in the newspaper.[20] His $100 payment from the newspaper may have been the most he was paid for a single work.[21] Anticipating a positive public response, the Dollar Newspaper took out a copyright on "The Gold-Bug" prior to publication.[22]

The story was republished in three installments in the Saturday Courier in Philadelphia on June 24, July 1, and July 8, the last two appeared on the front page and included illustrations by F. O. C. Darley.[23] Further reprintings in United States newspapers made "The Gold-Bug" Poe's most widely read short story during his lifetime.[20] By May 1844, Poe reported that it had circulated 300,000 copies,[24] though he was probably not paid for these reprints.[25] It also helped increase his popularity as a lecturer. One lecture in Philadelphia after "The Gold-Bug" was published drew such a large crowd that hundreds were turned away.[26] As Poe wrote in a letter in 1848, it "made a great noise."[27] He would later compare the public success of "The Gold-Bug" with "The Raven", though he admitted "the bird beat the bug".[28]

The Public Ledger in Philadelphia called it "a capital story".[22]George Lippard wrote in the Citizen Soldier that the story was "characterised by thrilling interest and a graphic though sketchy power of description. It is one of the best stories that Poe ever wrote."[29]Graham's Magazine printed a review in 1845 which called the story "quite remarkable as an instance of intellectual acuteness and subtlety of reasoning".[30]Thomas Dunn English wrote in the Aristidean in October 1845 that "The Gold-Bug" probably had a greater circulation than any other American story and "perhaps it is the most ingenious story Mr. POE has written; but... it is not at all comparable to the 'Tell-tale Heart'—and more especially to 'Ligeia'".[31] Poe's friend Thomas Holley Chivers said that "The Gold-Bug" ushered in "the Golden Age of Poe's Literary Life".[32]

The popularity of the story also brought controversy. Within a month of its publication, Poe was accused of conspiring with the prize committee by Philadelphia's Daily Forum.[24] The publication called "The Gold-Bug" an "abortion" and "unmitigated trash" worth no more than $15.[33] Poe filed for a libel lawsuit against editor Francis Duffee. It was later dropped[34] and Duffee apologized for suggesting Poe did not earn the $100 prize.[35] Editor John Du Solle accused Poe of stealing the idea for "The Gold-Bug" from "Imogine; or the Pirate's Treasure", a story written by a schoolgirl named Miss Sherburne.[36]

"The Gold-Bug" was republished as the first story in the Wiley & Putnam collection of Poe's Tales in June 1845, followed by "The Black Cat" and ten other stories.[37] The success of this collection inspired[38] the first French translation of "The Gold-Bug" published in November 1845 by Alphonse Borghers in the Revue Britannique[39] under the title, "Le Scarabée d'or", becoming the first literal translation of a Poe story into a foreign language.[40] In the French version, the enciphered message remained in English, with a parenthesized translation supplied alongside its solution. The story was translated into Russian from that version two years later, marking Poe's literary debut in that country.[41] In 1856, Charles Baudelaire published his translation of the tale in the first volume of Histoires extraordinaires.[42] Baudelaire was very influential in introducing Poe's work to Europe and his translations became the definitive renditions throughout the continent.[43]

Influence[edit]

"The Gold-Bug" inspired Robert Louis Stevenson in his novel about treasure-hunting, Treasure Island (1883). Stevenson acknowledged this influence: "I broke into the gallery of Mr. Poe... No doubt the skeleton [in my novel] is conveyed from Poe."[44]

Poe played a major role in popularizing cryptograms in newspapers and magazines in his time period[2] and beyond. William F. Friedman, America's foremost cryptologist, initially became interested in cryptography after reading "The Gold-Bug" as a child—interest that he later put to use in deciphering Japan's PURPLE code during World War II.[45] "The Gold-Bug" also includes the first use of the term cryptograph (as opposed to cryptogram).[46]

Poe had been stationed at Fort Moultrie from November 1827 through December 1828 and utilized his personal experience at Sullivan's Island in recreating the setting for "The Gold-Bug".[47] It was also here that Poe first heard the stories of pirates like Captain Kidd.[48] The residents of Sullivan's Island embrace this connection to Poe and have named their public library after him.[49] Local legend in Charleston says that the poem "Annabel Lee" was also inspired by Poe's time in South Carolina.[50] Poe also set part of "The Balloon-Hoax" and "The Oblong Box" in this vicinity.[48]

O. Henry alludes to the stature of "The Gold-Bug" within the buried-treasure genre in his short story "Supply and Demand". One character learns that the main characters are searching for treasure, and he asks them if they have been reading Edgar Allan Poe. The title of Richard Powers' 1991 novel The Gold Bug Variations is derived from "The Gold-Bug" and from Bach's composition Goldberg Variations, and the novel incorporates part of the short story's plot.[51]

Jewish Russian author David Shrayer-Petrov published "The House of Edgar Allan Poe" in 2011 Prose, with "The Gold-Bug" serving as a major influence. Shrayer-Petrov includes a beetle, also tied to a string, which finds treasure in the basement of the house of Sarah Helen Whitman, Poe's love interest who lived in Providence, Rhode Island.[52]

Adaptations[edit]

The story proved popular enough in its day that a stage version opened on August 8, 1843.[53] The production was put together by Silas S. Steele and was performed at the American Theatre in Philadelphia.[54] The editor of the Philadelphia newspaper The Spirit of the Times said that the performance "dragged, and was rather tedious. The frame work was well enough, but wanted filling up".[55]

In film and television, an adaptation of the work appeared on Your Favorite Story on February 1, 1953 (Season 1, Episode 4). It was directed by Robert Florey with the teleplay written by Robert Libott. A later adaptation of the work appeared on ABC Weekend Special on February 2, 1980 (Season 3, Episode 7). This version was directed by Robert Fuest with the teleplay written by Edward Pomerantz.[56] A Spanish feature film adaptation of the work appeared in 1983 under the title En busca del dragón dorado. It was written and directed by Jesús Franco, using the alias "James P. Johnson".[57]

"The Gold Bug" episode on the 1980 ABC Weekend Special series starred Roberts Blossom as Legrand, Geoffrey Holder as Jupiter, and Anthony Michael Hall. It won three Daytime Emmy Awards: 1) Outstanding Children's Anthology/Dramatic Programming, Linda Gottlieb (executive producer), Doro Bachrach (producer); 2) Outstanding Individual Achievement in Children's Programming, Steve Atha (makeup and hair designer); and, 3) Outstanding Individual Achievement in Children's Programming, Alex Thomson (cinematographer). It was a co-production of Learning Corporation of America.[58]

A simplified version of the story was included in Murders in the Rue Morgue, and The Gold Bug (1973) by Robert James Dixson, published by Regents Pub. Co.

A "post-modern", anti-racist radio dramatization of the story was transmitted on BBC Radio 4 in 2001. It was written by Gregory Evans, produced and directed by Ned Chaillet, and starred Clarke Peters, Rhashan Stone, and William Hootkins.

The cipher used in "The Gold-Bug" was also used in the novel "The Man who Was Poe" by Avi. It was used in the story for the antagonists to communicate and is decrypted by its writer, Edgar Allan Poe.

"The Gold-Bug" was produced as a full cast audio drama on the Journey Into... podcast.[59] (2014) Producer: Marshal Latham. Voice actors: Big Anklevich and Rish Outfield.

Notes[edit]

  1. ^Rosenheim 1997, p. 13
  2. ^ abFriedman, William F. (1993), "Edgar Allan Poe, Cryptographer", On Poe: The Best from "American Literature", Durham, NC: Duke University Press, pp. 40–41, ISBN 0-8223-1311-1 
  3. ^Silverman 1991, p. 152
  4. ^Hutchisson 2005, p. 112
  5. ^Sova 2001, p. 61
  6. ^Rosenheim 1997, p. 2
  7. ^Rosenheim 1997, p. 6
  8. ^Quinn 1998, pp. 130–131
  9. ^Silverman 1991, p. 206
  10. ^Bittner 1962, p. 184
  11. ^Weissberg, Liliane. "Black, White, and Gold", Romancing the Shadow: Poe and Race, J. Gerald Kennedy and Liliane Weissberg, eds. New York: Oxford University Press, 2001: 140–141. ISBN 0-19-513711-6
  12. ^Haycraft, Howard. Murder for Pleasure: The Life and Times of the Detective Story. New York: D. Appleton-Century Company, 1941: 9.
  13. ^Hutchisson 2005, p. 113
  14. ^Sova 2001, p. 130
  15. ^Stashower 2006, p. 295
  16. ^Meyers 1992, p. 135
  17. ^Sova 2001, p. 74
  18. ^Oberholtzer, Ellis Paxson. The Literary History of Philadelphia. Philadelphia: George W. Jacobs & Co., 1906: 239.
  19. ^Bittner 1962, p. 185
  20. ^ abSova 2001, p. 97
  21. ^Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Louisiana State University Press, 1998: 189. ISBN 0-8071-2321-8
  22. ^ abThomas & Jackson 1987, p. 419
  23. ^Quinn 1998, p. 392
  24. ^ abMeyers 1992, p. 136
  25. ^Hutchisson 2005, p. 186
  26. ^Stashower 2006, p. 252
  27. ^Quinn 1998, p. 539
  28. ^Hutchisson 2005, p. 171
  29. ^Thomas & Jackson 1987, p. 420
  30. ^Thomas & Jackson 1987, p. 567
  31. ^Thomas & Jackson 1987, pp. 586–587
  32. ^Chivers, Thomas Holley. Life of Poe, Richard Beale Davis, ed. E. P. Dutton & Co., Inc., 1952: 36.
  33. ^Thomas & Jackson 1987, pp. 419–420
  34. ^Meyers 1992, pp. 136–137
  35. ^Thomas & Jackson 1987, p. 421
  36. ^Thomas & Jackson 1987, p. 422
  37. ^Thomas & Jackson 1987, p. 540
  38. ^Silverman 1991, p. 298
  39. ^Salines, Emily. Alchemy and Amalgam: Translation in the Works of Charles Baudelaire. Amsterdam-New York: Rodopi, 2004: 81–82. ISBN 90-420-1931-X
  40. ^Thomas & Jackson 1987, p. 585
  41. ^Silverman 1991, p. 320
  42. ^Salines, Emily. Alchemy and Amalgam: Translation in the Works of Charles Baudelaire. Amsterdam-New York: Rodopi, 2004: 82. ISBN 90-420-1931-X
  43. ^Harner, Gary Wayne (1990), "Edgar Allan Poe in France: Baudelaire's Labor of Love", in Fisher IV, Benjamin Franklin, Poe and His Times: The Artist and His Milieu, Baltimore: The Edgar Allan Poe Society, p. 218, ISBN 0-9616449-2-3 
  44. ^Meyers 1992, p. 291
  45. ^Rosenheim 1997, p. 146
  46. ^Rosenheim 1997, p. 20
  47. ^Sova 2001, p. 98
  48. ^ abPoe, Harry Lee. Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories. New York: Metro Books, 2008: 35. ISBN 978-1-4351-0469-3
  49. ^Urbina, Ian. "Baltimore Has Poe; Philadelphia Wants Him". The New York Times. September 5, 2008: A10.
  50. ^Crawford, Tom. "The Ghost by the Sea". Retrieved February 1, 2009.
  51. ^"Genetic Coding and Aesthetic Clues: Richard Powers's 'Gold Bug Variations.'". Mosaic. Winnipeg. December 1, 1998. Retrieved 29 October 2013.   – via HighBeam(subscription required)
  52. ^Shrayer-Petrov, D., & Shrayer, M. (2014). Notes and Commentary on the Stories. In Dinner with Stalin and other stories (p. 251). Syracuse, NY: Syracuse University Press.
  53. ^Bittner 1962, p. 186
  54. ^Sova 2001, p. 268
  55. ^Thomas & Jackson 1987, p. 434
  56. ^""ABC Weekend Specials" The Gold Bug (1980)". 
  57. ^IMDb: En busca del dragón dorado
  58. ^http://www.imdb.com/title/tt0082458/?ref_=fn_tt_tt_5
  59. ^Into, Journey (2014-02-27). "Journey Into...: Journey #89 - The Gold Bug by Edgar Allan Poe". Journeyintopodcast.blogspot.com. 

References[edit]

  • Bittner, William (1962), Poe: A Biography, Boston: Little, Brown and Company 
  • Hutchisson, James M. (2005), Poe, Jackson, MS: University Press of Mississippi, ISBN 1-57806-721-9 
  • Meyers, Jeffrey (1992), Edgar Allan Poe: His Life and Legacy, Cooper Square Press, ISBN 0-8154-1038-7 
  • Quinn, Arthur Hobson (1998), Edgar Allan Poe: A Critical Biography, Baltimore: The Johns Hopkins University Press, ISBN 0-8018-5730-9 
  • Rosenheim, Shawn James (1997), The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet, Baltimore: Johns Hopkins University Press, ISBN 978-0-8018-5332-6 
  • Silverman, Kenneth (1991), Edgar A. Poe: Mournful and Never-ending Remembrance, New York: Harper Perennial, ISBN 0-06-092331-8 
  • Sova, Dawn B. (2001), Edgar Allan Poe: A to Z, New York: Checkmark Books, ISBN 0-8160-4161-X 
  • Stashower, Daniel (2006), The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder, New York: Dutton, ISBN 0-525-94981-X 
  • Thomas, Dwight; Jackson, David K. (1987), The Poe Log: A Documentary Life of Edgar Allan Poe, 1809–1849, Boston: G. K. Hall & Co., ISBN 0-7838-1401-1 

External links[edit]

Illustration by "Herpin Inv" for an early edition
Cryptogram letter frequency
An 1875 French translation of "The Gold-Bug"
"The Gold-Bug" as it appeared in The Dollar Newspaper, June 21, 1843, with the illustration on the bottom right

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